Tuesday, 10 April 2012

VFX 0.3 - Alpha textures

Seems like the more work I want to do the less time I have do it, but started texturing and so far seems okay. The extinguisher was taking bit too long and still needs few more maps, but its almost ready. Only thing I am mostly worried is how long multi-pass rendering will take, but fortunately I don't have many things in the scenes, so should be okay. Starting to be confident I can finish this in good quality on time.

I made a test render with the extingusher where I am using the HDR image as lighting source and it seems good, just need to add shadows, fix the brightness of the sign and of course remove the reflecting wall.


The concentrate planter and barrier shouldn't take long, from quick texture test I can see everything matches up all right, just need to play with the textures more to fix them up. The planter needs to be bit more cleaner, as does the barrier. And then needs fixing on the inside faces that can be seen above the dirt. The barrier needs the sides match the front and back where they connect, right now it can been seen, but that will be fixed with less dirt on it. I will also add some small cracks to it, with bump/normals map. I placed them over the actual footage to compare colours and I think if I make the grey little brighter I will have no trouble setting up in Maya/Nuke to match it to the scene.



The notice board was kinda easy, only two pieces, but also disappointing because it doesn't look like the notice board in the footage. But it should be okay. I might make the wood texture more random, like so its not all orange, but I think it can be done with soft bump map. I will also add some images and papers onto the board itself. I think the texture might have to be little brighter to match with the scene, but shouldn't be too hard to do with lights and in Nuke.  


Wednesday, 4 April 2012

VFX 0.3 - My First HDR Lightprobe

Because the HDR thing can be pretty useful for more than just reflections on the object that match the scene I watched a quick tutorial and then did my own. It is also part of our assignment to make one. I am pretty happy with the result actually, will see how it works in the scene itself tomorrow. The original images are huge, so below are just smaller PNGs for preview, one is the final result and the other 4 HDR images I worked with to make it, those are already 6 original photos forged together in Photoshop before they were unwrapped.

It was quite fun to make, I enjoyed it. The final image is seamless panorama, so the ends connect perfectly.


Monday, 26 March 2012

Rendering 0.2 - Basic Lighting Setup

After doing some research and tutorials it was time to actually start doing some work on my assignment scene. It took a little while to get to where I am now, but I have almost clear understanding how it all works, at least about final gathering, global illumination and shaders. I really like how little things can affect the whole scene and the colours, its pretty cool.

Global illumination was fairly straight forward, nothing crazy about it once I figured out number of photones and all that. After playing around I eventually settled for this:

Render time: 0:19
Objects: Floor and walls
Lights: 1
Photones Intensity: 3,000,000
Gloal Photones: 50,000
Radius: 15

My first problem first Final Gathering was that it was making the scene way too dark for some reason. After looking around for solution I began to change the photon colour bounced from the floor and walls to something much lighter, which helped to brighten the scene. Also adjusting accuracy of final gather and using Radius Quality Control helped. Not sure if its best practice but so far I am setting the RQC max to 10% of the scene size units and min to 1% of it, so in my case it was 46 and 4.6, the scene or at least the main room is around 460 units. Below are some results of trying around different settings and position for the photon emitter light.








At the last picture I do like the "sun" reflection in the window, which I might revisit later, but there will be big ass tree in front of the windows so shouldn't worry about them too much. I have also took down diffuse of the windows frame for photons which made them much less shiny. I might turn it off or make it bit more less later but as I said, they wont be probably visible with all the objects. This is the final image for today:


Render time: 2:18
Objects: Floor and walls
Lights: 1
Photones Intensity: 4,000,000
Gloal Photones: 50,000
Radius: 15
Final Gather accuracy: 250
Radius Quality Control: Max 46, Min 4.6

And for the end, I changed the wall material a little and used spheres for my tests. In the scene there is no bump for the walls yet, not sure I need one. I am happiest about the wood material so far, I really like how it looks in the scene, especially on the floor. I like the marble too so far but will see how it will look in the scene itself.

Technical Animation 0.2 - Burn Baby Burn

More fire stuff! This time we were doing particles system in Mata, more specifically nParticles and fluid smoke. Which is actually quite fun, just need to play with the smoke more to figure out how to optimize it so its faster to cache and then render, it was taking bloody ages and then it also stopped simulating towards the end, the smoke just stopped while the particles kept moving, not quite sure what went wrong there.

Wednesday, 21 March 2012

Rendering 0.1 - Texture Test

So in this module we are learning how to make photo-realistic renders, sort of, its mostly about how to set up lightning and how it all affects the scene, which I find very interesting. Not sure I wanna do it as career, but the things you can do with lights is pretty cool. Anyway, as my project I am doing Xmas scene. I want to make three renders, or attempt to. First with day light, one during night and one where three is on fire with a shadow of a little girl in the floor coming from doorway.

I started with the colour scheme and thinking about textures. Thanks to MEL scripting I have learned to work with something I personally enjoy, as in colours and theme so I went with purple-brown, mainly, also black, yellow and white to break the colours.

My inspiration:


 Test textures; black metal, purple wrapping paper, purple wall, brown wood floor, white marble. I am considering adding basic colour textures to the scene itself to see how colours will go together, but I think I have pretty good idea. Soon I have to start setting up lights, by end of the week I want list of texture tests and lit up scene.





 

VFX 0.2 - Let it burn

Started doing texturing for the fire extinguisher, it is really detailed so there is few texture maps for it. I went 1k square for the textures, should be big enough for HD, the camera is close to it but not extreme close ups. Making the colour maps took big longer than expected, but I am happy with them so far, next I gotta do bump and specular maps. Probably will play with the colours bit more too. By end of the week I want to have all 4 objects textures. The others wont take as long because they are in distance and quite simple, where the extinguisher has lots of details. I think I spent the most of making the instructions on it, it was images at front and both sides. Since I want it to look realistic I took time to get it more or less like it is in real life for CO2 extinguishes.My work so far (only colour maps):

Monday, 19 March 2012

VFX 0.1 - First Test

The lack of posts it due to not having much practical work as before. As much as I work on project its mostly research so far but I will be starting to update more often again as I will be starting doing actual work can show, starting with Visual Effects.

First I wanna say I really like Nuke, its like PhotoShop but for movies, which is awesome. It even works better than PhotoShop in my opinion. In the course we are learning how to use Nuke and NukeX for tracking and composting, which I really like as well. Tracking is so much better with Nuke, I love it.


For my project I have to texture 4 object and then places them into a live action scene so it looks realistic, its exactly what I'd like to eventually do as a job. Today I just did a test of exporting Nuke 3D scene, importing it to Maya and adding an object into it, its not perfect but I think it shows it can be done.


So over the next few weeks I need to, texture all the objects, track the scenes (or use already tracked ones) and composite them. I will be starting with the texturing so I have the models ready and need to figure out if it will make difference if I track myself, if not I will track just one scene so I can add it to the show-reel.


Here the video I have made today. The scene is actually something I will make look much better for final assignment.